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Sean McCann & Eric Schmid - St. Paul

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Sean McCannが2016年に開始した聖なる何かをモチーフにした音楽と冊子のシリーズの第二弾。今作も前作と同じくシカゴのアーティストEric Schmidとの共作です。
今作の中心はEric Schmidによる詩。英文ですが、下記にEric Schmidによる今作にまつわる文章を添付します。より音楽から遠のいた空気のような作品です。
日本では前作と同時期にリリースされたMusic for Public Ensembleに注目が集まっている印象ですが、個人的にはSean McCannとEric Schmidの出会い、そしてこのSt.シリーズにこそ本質が描かれていると感じました。当店に興味を持って下さっている方はまずこちらをぜひ!

recital (cd with book) 2017

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Sean McCann & Eric Schmid - "St. Paul" excerpt (R34)


Theodor Adorno and Walter Benjamin would write letters to each other.
Adorno accused Benjamin of “an undialectical ontologization of the
body”. Walter Benjamin would write his Theses on the Philosophy of
History before he escaped France. He describes a homogeneous history
written by the victors, which, to an angel, appears as massive wreckage.
Of that version, he writes a Messianic history charged with Jetztzeit
[Now-time] and our calling to redeem the weak.

This album has two tracks. The first track is the site of a man
trying to speak, but he can only bark or mumble, as the aesthetics of
vaporwave, witch house and Arca, today dead, are sharply memorialized.
According to the spiritual testament and commentary on St. Paul, Jacob
Taubes said Benjamin was the real deal, charged with Messianism, and
Adorno, on the other hand, was empty and an aesthete of
Messianism. Two voice actors recite the Book of Concord, compiled after
Martin Luther’s death. A response to “Faith Without Works Is Dead”. Sola Fide, or justification by faith alone.

The second track is a woman’s spiritual testimony. Her experience, strength and hope over alcoholism.


-Eric Schmid, April 2017